Public sources already available
Official archive of “Onde estão os ídolos?”, connected to the printed cover line “Órfãos do Rock”.
Two surviving records of the performance: “Estava Comigo” and “Ciúmes”.
Full title sequence with Artistic Direction and Executive Production credits.
Melissa 1.0 and Punk Rock Orchestra have persistent records across Zenodo, OSF, SSRN, PubPub, GitHub and ORCID.
Preserved material not yet public
1992–2023
Excerpt from Coitado do Próximo's first show; 1994 demo tape; studio footage; Kid Vinil interview in MP3; Café Piu Piu performance; 1997 recording sessions; 2023 reunion.
Metrópole
Complete interview with Velhas Virgens preserved in MP3 from the original radio broadcast.
Sinal Verde
Scans of roughly twenty unique editorial pieces, including the Prateleira Cultural column and articles in other sections.
Mirantte / Clickland / PSINet
Mirantte News homepage and article; Clickland homepage and business card; PSINet team photographs; possible CookieWEB material.
Works in progress
Making-of footage from O Arquiteto da Apoteose and the official Autópsia presentation, with future publication dependent on rights and safe editing.
Facts with no known surviving documentation
Some parts of the biography will probably remain autobiographical: Tremonte BBS, Minduim BBS, part of the early STI/internet period, some live shows and behind-the-scenes details that were never formally documented.
The site will not manufacture false precision to fill those gaps. The Minduim BBS visual reconstruction published in the HUB is explicitly labeled as an AI-assisted reconstruction based on factual elements and memory, not as an original document.
A faithful reconstruction of the domestic environment and interface where Minduim BBS was installed and operated. It is not an original photograph or screen capture.
Privacy, copyright and documents
Corporate filings, employment records, private correspondence or family documents may help validate information internally but do not need to be published in full. Personal data belonging to Marcelo or third parties will be omitted or redacted when necessary.
Likewise, owning an old scan does not automatically mean owning redistribution rights to an entire magazine, professional photograph or presentation containing third-party material. The public archive will be selective.
How sources enter the biography
The hub uses four practical categories: external public source, preserved primary archive, contextual corroboration and autobiographical information. These categories guide maintenance, but the public reading experience will not become a forensic report.
The goal is evidence density across the lifetime: strong milestones distributed through the trajectory, not the impossible requirement of a URL for every event that happened before the web.